
Izotope RX9 For Voiceovers – Do You Need It?
Izotope RX9 – many forums say this is an essential purchase for voiceovers. Let’s looks at what RX9 does and if you need it.
Rob and Helen are here to help voiceovers be seen and heard. We write about all sorts of useful things to help your voicing career including home studio setup and maintence, audio production kit and techniques, how to brand your business, websites and SEO advice and more. You can filter articles by topic or scroll from the most recent.
So grab a cuppa and a biscuit and have a read…
Izotope RX9 – many forums say this is an essential purchase for voiceovers. Let’s looks at what RX9 does and if you need it.
Taking a look at noise floors; starting with what a noise floor is, how it affects your recording and production, and how to make it better.
3 audio production tips for you to consider helping you provide good service for your clients and to stop you make mistakes.
November turned into a busy month – Rob lets you know what we’ve been doing including Studio Tickling, VOX, judging the APA Awards and more.
Your showreels are probably the most important marketing tool you have, so it’s really important to get them right. I thought it may be helpful
I want to take a look at an audio production process that is commonly used, but often misunderstood. It’s something that I get asked about fairly regularly and there is definitely a best-practice that can be applied to this process which is often sadly lacking. That process is normalisation (or normalization if you’re American).
This month sees the first in an occasional series where we look at some technical terms and things you need to know as a studio owning voiceover. Today, audio resolution, levels and phantom power.
Rob talks a little about the history of Bee Productive, and how he got to his current place before a little announcement.
This simple process can save you time, improve your recorded audio quality and remove your bottom end flappiness.
Audio Production demands a skill-base many have referred to as witchcraft. Equalisation is a big part of the tools we have to master, so how do you apply a wizardly approach to EQ?
Helping voiceovers to be seen and heard.
Resources