Rob and Helen are here to help voiceovers be seen and heard. We write about all sorts of useful things to help your voicing career including home studio setup and maintence, audio production kit and techniques, how to brand your business, websites and SEO advice and more. You can filter articles by topic or scroll from the most recent.
So grab a cuppa and a biscuit and have a read…
Izotope RX9 – many forums say this is an essential purchase for voiceovers. Let’s looks at what RX9 does and if you need it.
Taking a look at noise floors; starting with what a noise floor is, how it affects your recording and production, and how to make it better.
I want to take a look at an audio production process that is commonly used, but often misunderstood. It’s something that I get asked about fairly regularly and there is definitely a best-practice that can be applied to this process which is often sadly lacking. That process is normalisation (or normalization if you’re American).
As we come out of what has been a strange year it’s time to have a think about how Studio Tickling Tours might work in future.
This month sees the first in an occasional series where we look at some technical terms and things you need to know as a studio owning voiceover. Today, audio resolution, levels and phantom power.
There’s a lot that can go wrong in studio management. Rob takes a look at some of those irritatingly small issues.
This simple process can save you time, improve your recorded audio quality and remove your bottom end flappiness.
A blog in which Rob critiques a piece of audio that gets heard by thousands of people every day.
If you’re planning on moving your voiceover studio, or creating a recording space for the first time, here is some advice…
Rob has visited lots of voiceover studios and helped troubleshoot hundreds more remotely. Here are a few things that make him inwardly groan.
Setting up a studio with limited time, limited resources and in a time of limited public access needn’t limit your options. Here’s how…
In February Rob did a Studio Tickling Tour. For those of you who wonder what that entails, you’re in luck. Read on Macduff!
We need to spend money on recording equipment to do our jobs, and we need to spend money on acoustic treatment to make sure our recordings sound professional. But if we don’t spend time (and money) personalising our spaces to make them our own have we wasted the money we’ve spent?
As a voiceover you’ll be rejected for jobs virtually every day of your working lives. Although this is a reality you want to be doing everything you can to minimise it. To that end you’ve taken courses and hired voiceover coaches, and you’ve spent far too much on the best equipment you couldn’t afford. But have you tuned your recording space?
Helping voiceovers to be seen and heard.
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