Rob and Helen are here to help you be seen and heard.
We write about all sorts of useful things to help your voicing career including home studio setup and maintenance, audio production kit and techniques, how to brand your business, website tips, SEO advice and more. You can filter articles by topic or scroll from the most recent.
So grab a cuppa and a biscuit and have a read…
File management is a dull subject, but it’s important. I’ve had to sort IT issues that wouldn’t have occurred with good file management, so let’s keep on top of it.
A lot of the voiceovers we record utilise music in their finished forms. So here are Rob’s tips for working with music and where to source it from.
Quick video how-to tutorials showing you how to do Punch and Roll edit in Audacity, Audition, Logic Pro X, Ocenaudio, ProTools, Studio One, Twisted Wave and Reaper
Our most popular blogs from the last 12 months are about Izotope RX, compression, noise floors, how to get seen online and google business profiles.
I’ve visited lots of voiceover studios and helped troubleshoot hundreds more remotely. Here are a few things that still make me inwardly groan.
Noise floors are like council tax bills. We all have one, and we’d all like it to be lower. This is a blog about shaving a few dB off your noise floor.
Rob documents his latest Studio Tickling Tour so you can all see what goes on backstage.
Noise reduction plug-in comparisons for voice work. These are very powerful tools but I do not advocate using them daily.
Izotope RX10 – many forums say this is an essential purchase for voiceovers. Let’s looks at what RX10 does and if you need it.
I hate to break it to you, but your ears lie. In many instances, the sound we hear isn’t actually what’s happening. There is a
Part 2 of 2 blogs where I explain what compression is and why it’s so important.
Compression is a topic that confuses many and strikes fear into the hearts of many. Yet people like me insist on banging on about how important it is, and insisting that voice overs should at least try to get their heads around the topic. So in this first blog of 2, I’m going to explain what compression is and why it’s so important.
Well, I don’t take many photos. But I still did the challenge. But not with photos.
Taking a look at noise floors; starting with what a noise floor is, how it affects your recording and production, and how to make it better.
3 audio production tips for you to consider helping you provide good service for your clients and to stop you make mistakes.
Working in a creative industry we often need to engage with creatives from other fields and use their work. This makes the dread word copyright raise it’s head. So what are we allowed to do? And more importantly what aren’t we allowed to do?
Your showreels are probably the most important marketing tool you have, so it’s really important to get them right. I thought it may be helpful
I want to take a look at an audio production process that is commonly used, but often misunderstood. It’s something that I get asked about fairly regularly and there is definitely a best-practice that can be applied to this process which is often sadly lacking. That process is normalisation (or normalization if you’re American).
This month sees the first in an occasional series where we look at some technical terms and things you need to know as a studio owning voiceover. Today, audio resolution, levels and phantom power.
There’s a lot that can go wrong in studio management. Rob takes a look at some of those irritatingly small issues.
One thing Rob gets asked to do from time to time is to create effects stacks for voiceovers. In this blog we look at the pros and cons (mostly cons) of using stacks.
This simple process can save you time, improve your recorded audio quality and remove your bottom end flappiness.
A blog in which Rob critiques a piece of audio that gets heard by thousands of people every day.
Driven online by the current lockdown The One Voice Conference 2020 became the world’s first online voiceover conference
Helping voiceovers to be seen and heard.