Grab a cuppa and a biscuit and have a read…
Working in a creative industry we often need to engage with creatives from other fields and use their work. This makes the dread word copyright raise it’s head. So what are we allowed to do? And more importantly what aren’t we allowed to do?
Your showreels are probably the most important marketing tool you have, so it’s really important to get them right. I thought it may be helpful
I want to take a look at an audio production process that is commonly used, but often misunderstood. It’s something that I get asked about fairly regularly and there is definitely a best-practice that can be applied to this process which is often sadly lacking. That process is normalisation (or normalization if you’re American).
This month sees the first in an occasional series where we look at some technical terms and things you need to know as a studio owning voiceover. Today, audio resolution, levels and phantom power.
There’s a lot that can go wrong in studio management. Rob takes a look at some of those irritatingly small issues.
One thing Rob gets asked to do from time to time is to create effects stacks for voiceovers. In this blog we look at the pros and cons (mostly cons) of using stacks.
This simple process can save you time, improve your recorded audio quality and remove your bottom end flappiness.
A blog in which Rob critiques a piece of audio that gets heard by thousands of people every day.
Rob has visited lots of voiceover studios and helped troubleshoot hundreds more remotely. Here are a few things that make him inwardly groan.
Driven online by the current lockdown The One Voice Conference 2020 became the world’s first online voiceover conference
January 2020 has been and gone. I may be wrong about this, but I thought it may be slightly interesting to have a revue of the month and let you know what we’ve been up to.
Audio Production demands a skill-base many have referred to as witchcraft. Equalisation is a big part of the tools we have to master, so how do you apply a wizardly approach to EQ?
Rob was interviewed by Mike Russell from Music Radio Creative in a podcast celebrating 25 years of Adobe Audition about his background in sound engineering
Helping voiceovers to be seen and heard.
